The British group might be more famed for evolving into Edwards Hand, who had a couple albums produced by George Martin. Before that, however, Picadilly Line put out an obscure album on CBS, 1967's The Huge World of Emily Small, in the lightest and poppiest side of the British pop-psychedelic style. They also did a couple non-LP singles, one of which, "Yellow Rainbow," was written by then-Hollie Graham Nash.
The Picadilly Line's sole album is one of the recordings that most epitomizes what has been retrospectively dubbed the "toytown" school of British psychedelia by collectors. That is, the songs bounce along daintily; the vocal emphasis is on high harmonies; the lyrics are sometimes populated with observations of British everyday life and characters, sprinkled with a coat of whimsy; and the arrangements benefit from touches of baroque orchestration. It's executed here, however, with a fey, twee touch that makes the Zombies' Odessey and Oracle, for instance, sound rough 'n' ready by comparison. It's thus going to be too light even for some British psychedelic pop enthusiasts, but it's not quite the most saccharine entry in the genre, though it's undeniably precious. There's a folky lightness that keeps this from being too wide-eyed and childish, sometimes sounding a bit like Simon & Garfunkel gone toytown, though with some similarities to both the 1967-era Beatles and '60s California pop in the vocals and arrangements. The covers of Bob Dylan's "Visions of Johanna" and the Everly Brothers' "Gone, Gone, Gone," however, seem misplaced in these surroundings. (AMG).
1. Emily Small (The Huge World Thereof); 2. Silver Paper Dress; 3. At The Third Stroke; 4. Can You See Me; 5. Your Dog Won't Bark; 6. How Could You Say You're Leaving Me; 7. Gone Gone Gone; 8. Twiggs; 9. Tumble Down World; 10. Visions Of Johanna; 11. Come & Sing A Song; 12. Her Name Is Easy